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This is a Zsolnay Eosin porcelain figurine called Longing, an Art Nouveau–style female nude in a shimmering blue glaze. Made around 1970, it stands 9.5 inches tall (23.75 cm) and measures 4.5 by 4.5 inches at the base (11.25 x 11.25 cm). The figure kneels with arms lifted behind the head, all smooth curves and a calm, dreamy pose. The eosin finish catches the light with a soft, watery sheen. Condition is near mint, with no chips or cracks noted. At roughly 56 years old, it’s firmly vintage rather than antique, and examples this clean are not common.

Zsolnay, founded in 1853 in Pécs, Hungary, is celebrated for its eosin glaze, a metallic, iridescent surface perfected in the 1890s. By 1970 the factory was revisiting earlier Art Nouveau themes, so pieces like Longing blend flowing lines with mid‑century production. Collectors watch for strong color and marks like the five‑tower shield to confirm authenticity. Blue eosin is seen less often than green‑gold, which adds appeal. Compared with pre‑World War I masterpieces, 1970 examples are more approachable yet still hand‑finished and well made. In today’s market they’re considered scarce rather than truly rare, with value driven by glaze quality and condition overall.

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This is a Herend Apponyi Purpur bud vase, also called Chinese Bouquet Raspberry, made around 1970. It stands 6 inches (15 cm) tall with a rounded 3 inch (7.5 cm) body and a slim neck, ideal for a single stem. The crisp white porcelain sets off the hand-painted raspberry flowers, and the rim and foot carry neat touches of gold. It’s in near mint condition—glossy glaze, vivid color, no chips or cracks—so it looks almost fresh from the kiln. At just over fifty years old, it’s solid mid-century vintage and a charming, display-ready accent.

Herend is the renowned Hungarian porcelain maker founded in 1826, famous for painting every piece by hand. The Apponyi pattern is a simplified version of the older Chinese Bouquet design; Count Albert Apponyi asked for the cleaner look in the early 1900s, and it stuck. Purpur, or raspberry, is one of the classic colorways collectors chase because it pops without feeling loud. Each vase carries artisan brushwork and hand-applied gold accents, so no two are identical. Examples from the late 1960s–1970s with intact gilding and crisp motifs are considered desirable and a bit scarce, especially in near mint shape like this one.

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This is a Herend large trinket box, a three‑footed bonbonniere in the Queen Victoria pattern. Made in 1960, it’s about 66 years old and sits solidly in the true vintage camp. The domed lid is hand‑painted with bold peonies and butterflies, ringed with scalloped gold, and the round body rests on three pale‑green scroll feet. It measures about 4 inches high and 4.5 by 4.5 inches across, a handy size for rings, candies, or small keepsakes. The colors look bright and the gilding crisp, matching its Near Mint condition—exactly what collectors hope to find in mid‑century Herend porcelain.

Herend, the Hungarian porcelain house founded in 1826, is known for fully hand‑painted, kiln‑fired art pieces. The Queen Victoria (often marked VBO) pattern dates to 1851, when Herend exhibited it in London and Queen Victoria ordered a service; its butterflies and flowers draw on East Asian motifs and are finished with real gold accents. Because each piece is painted by an artist, subtle variations make every box unique. Three‑footed bonbonnieres in this pattern aren’t common on today’s market, and examples from around 1960 in such clean shape are sought after by Herend fans and anyone who likes practical, well‑made vintage decor.

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Shown here is a Herend Cat Figurine, an Art Deco‑style kitty in glossy white porcelain from around 1970. Hand painted facial details give it a calm, grooming look, and the modeling is crisp but soft to the touch. It stands 4.5 inches tall, 2 inches wide, and 4 inches long. Condition is Near Mint, with bright glaze, tight ears and paws, and only the lightest shelf rub to the base. At about 56 years old, it’s a true vintage piece, the sort of Herend animal that collectors chase because clean, undamaged examples from this era don’t turn up every day.

Herend is a historic Hungarian porcelain maker founded in 1826, famed for hand work and production. The workshop gained attention in the 19th century and is loved for patterns like Queen Victoria and Rothschild Bird, plus the fishnet decoration on animals. Figurines are cast from hard‑paste porcelain, fired multiple times, then hand painted and gilded, so no two are exactly alike. Pieces from the late 1960s and 1970s usually carry the blue Herend shield backstamp and a painter’s or form number on the base. Because they’re labor intensive and often break in firing, survivors in Near Mint condition are scarce.

This is a Vintage Herend Figurine called Wren on Branch, a hand-painted porcelain bird from around 1960. It stands 4 inches tall, 1.5 inches wide, and 3 inches long, a tidy size for a shelf or windowsill. The wren’s russet back, creamy chest, and glossy green leaves are neatly shaded, and the bird leans forward as if ready to hop. Condition is near mint, with bright glaze and crisp details. At roughly 66 years old, it’s a mid-century piece that brings a quiet, natural touch to a room.

Herend is the renowned Hungarian porcelain manufactory founded in 1826 in the village of Herend near Lake Balaton. The workshop became a supplier to European courts and gained fame after the 1851 Great Exhibition in London. All pieces are handmade from hard-paste porcelain, kiln-fired several times, and then hand-painted; most carry the Herend shield backstamp, form number, and often the painter’s initials. Bird figures were made in small batches, with some painted in the famous fishnet style and others, like this wren, finished in natural colors. A 1960 example is true vintage and getting scarce, especially in near mint condition. Collectors often pair these figurines with the Queen Victoria and Rothschild Bird tableware patterns, and they hold their color and shine beautifully over decades.

This is a Herend Queen Victoria Baroque Vase from around 1960, and it looks lovely in Near Mint condition. The bright butterfly on the front is fully hand painted, and the scalloped rim and leafy scroll “handles” are traced in rich gold with a soft green wash. At just 4.5 inches tall, 4 inches wide, and 2 inches deep, it’s a small display piece with a lot of presence—perfect for a single stem or as a cabinet accent. For something about 65 years old, the gilding and colors are remarkably fresh, which makes this little vase feel special and very collectible.

Herend is the famed Hungarian porcelain maker founded in 1826, known for hand-painting every detail and finishing accents in 24K gold. The Queen Victoria pattern debuted in 1851 at London’s Great Exhibition, where Queen Victoria ordered a service; the design—often called VBO—features butterflies and flowers inspired by Far Eastern art. Pieces are typically fired multiple times for depth of color and carry the Herend shield mark and a painter’s mark on the base. Baroque-form vases like this, with ornate rococo leaves and openwork, were produced in smaller numbers than tableware, so 1960 examples are harder to find. Its age, careful hand work, and petite, decorative shape make it a charming vintage piece that collectors and everyday decorators both appreciate.

What you’re looking at is a beautiful vintage Herend Queen Victoria trinket tray made in 1960. Even though it’s over sixty years old, it’s still in near mint condition, which is pretty rare for delicate pieces like this. Measuring about 1 inch in height, 3.5 inches wide, and 4.5 inches long, it’s a small but eye-catching tray. The hand-painted porcelain features a lovely butterfly motif and vibrant flowers, all delicately detailed in bright colors, which really gives it an old-world charm. Pieces like this were often used to hold jewelry, spare coins, or small personal items, but they’re just as nice displayed on a shelf or vanity. The craftsmanship is obvious—nice smooth finish, crisp painting, and those soft pastel greens and pinks are classic for the period.

Herend is a legendary porcelain manufacturer from Hungary, known worldwide for making fine hand-painted pieces, and the Queen Victoria pattern is perhaps their most famous line. First introduced in 1851 at the Great Exhibition in London, this pattern caught the eye of Queen Victoria herself, hence the name. The design usually features colorful butterflies, flowers, and leaves, all inspired by traditional Chinese porcelain. Each item is still painted by hand, which means no two are exactly alike. Collectors love Herend for its rich history and the fact that every piece is a little work of art. A trinket tray like this, made in 1960, is considered vintage now and is pretty hard to find—especially in near mint condition. If you’re lucky enough to own one, you’ve got a little slice of porcelain history, and something that’s sure to stay stylish for decades more.

What you’re looking at here is a charming little Lippelsdorf Wagner & Apel Fawn Porcelain Statuette, a delightful piece of German art porcelain. This figurine stands at about 4.5 inches tall, with a bright and playful fawn caught mid-leap over a swirl, all perched on a vibrant orange base. Even today, it’s in near mint condition, which is pretty impressive considering its age—these types of figurines were mostly produced in the early-to-mid 20th century, making this statuette anywhere from 60 to 90 years old. The porcelain is smooth and glossy, with a few delicate touches of gold paint that hint at its fine craftsmanship. Pieces like this were often displayed in curio cabinets or on shelves in living rooms, treasured for their whimsy and everyday beauty.

Wagner & Apel (Lippelsdorf), the brand behind this little fawn, is known in collector circles for their high-quality porcelain figurines. The company has been around since 1877 and is based in the Thuringian region of Germany—an area famed for its porcelain makers. These figurines were often hand-painted and frequently featured animals or everyday life scenes, capturing a warm, nostalgic feeling. Because each figure was crafted with care and some were only made in small numbers, they can be quite rare today, especially in nearly perfect condition like this one. For folks who love vintage decor or collect porcelain art, finding a Wagner & Apel piece on the market, especially one that’s been so well cared for, is a little stroke of luck.

This lovely porcelain figurine is a piece from 1960, called the “Reflective Girl With Doll” by Lladro, numbered 1211. Standing about 9 inches tall and 5 inches wide, it captures a young girl sitting quietly, her face soft with thought, clutching a small doll. The artist’s attention to detail really stands out in the gentle folds of her dress and the basket of laundry by her side. The muted pastel colors and glossy finish of the porcelain add to the timeless, peaceful vibe of the piece. Having survived more than six decades in near mint condition, this figurine is a wonderful example of mid-century Spanish craftsmanship, and it’s now considered quite a rare find, especially since it’s been retired from production. Pieces like this one often become treasured keepsakes, handed down or displayed as a little glimpse into a gentler, slower era.

Lladro is a famous Spanish brand known for its finely crafted porcelain figurines, each handmade and hand-painted in their workshops near Valencia. The company started in the 1950s, and quickly built a reputation for the delicate emotions and details they bring to scenes of daily life—often kids, families, and gentle moments, in their signature soft color palette. Collectors love Lladro not only for their beauty but also for their investment potential, since many designs are “retired” and never made again. This “Reflective Girl With Doll” figurine is one of those no longer in production, making it extra special for anyone lucky enough to own it. For people who appreciate vintage or antique collectibles, a Lladro piece like this is a top-tier example of European porcelain art from the 20th century.

What you’re looking at is a Wallendorf porcelain vase from around 1970, making it over 50 years old. This elegant piece stands about 9 inches tall and has a nice, solid feel at roughly 6 inches wide and deep all around. What really grabs your attention is the striking red dragon motif wrapped around the body, highlighted with touches of gold that shimmer under the light—classic nods to traditional Asian art styles. The rim is also lined in gold, giving it that extra bit of class. Considering its age, it’s in near mint condition, which is rare for items that have been around this long—no chips, cracks, or heavy signs of use. If you’re hunting for a vintage display piece that shows off some personality but isn’t too precious to actually use, this vase checks all the boxes.

Wallendorf is a name that comes with a bit of history. The Wallendorf porcelain factory, based in Germany, dates all the way back to 1764, making it one of Europe’s oldest porcelain makers. By the late 1960s and into the 1970s, Wallendorf was known for blending traditional European craftsmanship with vibrant, sometimes even playful, decorative themes—like this dragon design, which was likely inspired by the rising trend of Asian influences in Western home décor at the time. Porcelain from this era is getting harder to find, especially in such good shape. Collectors love Wallendorf for its fine hand-painted details and durable, beautiful porcelain that has held up through the decades. Even if you’re not a porcelain collector, it’s the kind of vintage décor that starts conversations and instantly adds a touch of sophistication to any room.