Photos form part of the description. Exact item shown; please review all images carefully.
This small Herend Victoria Baroque vase is a cheerful, hand‑painted porcelain beauty from 1960. The flared, scalloped mouth is trimmed with bright gold, and the body shows lively garden blooms in juicy shades of orange, lilac, and green. The painting is crisp and layered, with soft shading that gives the petals depth. The glaze is glossy and clean, and the gilt still pops, a good sign it’s been lightly used and well cared for. Its curvy silhouette and petite footprint make it an easy accent on a bedside table, vanity, or shelf. It’s in near mint condition, ready to display as is or to hold a small bouquet.

Herend is Hungary’s famed porcelain house, founded in 1826 and celebrated for fully hand‑painted work. The Victoria pattern—often called Queen Victoria—debuted at the 1851 Great Exhibition in London, where it caught royal attention and became a signature of the brand. Inspired by East Asian motifs, it mixes butterflies and peonies with generous 24k gold accents. Every piece is painted by a single artisan, fired multiple times, and finished with hand‑applied gilding. Vases from the mid‑century era typically bear the blue Herend shield and pattern numbers underneath. Collectors prize the craftsmanship, durability, and timeless color palette. For care, hand wash gently and avoid abrasives to keep the gold bright.

Photos form part of the description. Exact item shown; please review all images carefully.
This footed bonbonniere from Herend, Hungary is a charming mid‑century piece. Made in 1960, it wears the Rothschild Bird with Insects pattern: two bright songbirds on a leafy branch and playful bugs on the domed lid. A glossy white glaze sets off the hand painting, while a band of gold trims the rim and touches the tiny feet. The lid ends in a twisted gilt finial that adds a little sparkle. It’s perfect for candies, rings, or sugar on a breakfast tray. Condition is near mint, with fresh colors, clean interior, and only the lightest signs of careful handling.

Herend has painted fine porcelain in Hungary since 1826, and Rothschild Bird is among its most famous patterns. The design was introduced around 1860 for the Rothschild family, inspired by a playful tale of birds and a misplaced necklace, which is why insects and lively songbirds appear across the pieces. Decoration and gilding are still done entirely by hand, then fired multiple times, so each item has small, charming differences. Collectors prize the bright enamels, real gold accents, and elegant shapes like this footed candy pot. Authentic examples carry the Herend shield backstamp and often painter’s numbers. To keep it beautiful, hand wash gently and avoid heat or dishwashers.

Photos form part of the description. Exact item shown; please review all images carefully.
This retro porcelain figurine shows a cool, mod-era female guitarist mid-strum, captured in a sleek, stylized pose. Her long hair, tailored jacket and flared trousers lean into that late‑60s/early‑70s vibe, while the soft mint and blush colors give the piece an easy, pastel pop. The glossy glaze is bright and even, and the details—hands on the fretboard, the smooth guitar body, sharp lapels—are crisp. It’s a Hollohaza piece from Hungary, made in 1970, and it’s in near mint shape, the kind you display right away without fuss. It brings a fun, musical energy to a shelf, credenza, or turntable corner.

Hollohaza is one of Hungary’s oldest porcelain makers, with roots back to 1777 in the village that shares its name. The factory is known for hard‑paste porcelain fired hot for a bright ring and durable, glassy surface. In the 1960s and 70s they embraced modern lines and soft colors, which makes pieces like this guitarist feel stylish yet friendly. Many were finished and hand painted, then stamped with the Hollohaza backmark and country. Collectors like lively subjects—musicians, dancers, folk figures—and approachable prices. If you enjoy mid‑century décor, this line fits in easily and beautifully among vinyl, teak, and Scandinavian accents.

Photos form part of the description. Exact item shown; please review all images carefully.
This is a Zsolnay Eosin porcelain figurine called Longing, an Art Nouveau–style female nude in a shimmering blue glaze. Made around 1970, it stands 9.5 inches tall (23.75 cm) and measures 4.5 by 4.5 inches at the base (11.25 x 11.25 cm). The figure kneels with arms lifted behind the head, all smooth curves and a calm, dreamy pose. The eosin finish catches the light with a soft, watery sheen. Condition is near mint, with no chips or cracks noted. At roughly 56 years old, it’s firmly vintage rather than antique, and examples this clean are not common.

Zsolnay, founded in 1853 in Pécs, Hungary, is celebrated for its eosin glaze, a metallic, iridescent surface perfected in the 1890s. By 1970 the factory was revisiting earlier Art Nouveau themes, so pieces like Longing blend flowing lines with mid‑century production. Collectors watch for strong color and marks like the five‑tower shield to confirm authenticity. Blue eosin is seen less often than green‑gold, which adds appeal. Compared with pre‑World War I masterpieces, 1970 examples are more approachable yet still hand‑finished and well made. In today’s market they’re considered scarce rather than truly rare, with value driven by glaze quality and condition overall.

Photos form part of the description. Exact item shown; please review all images carefully.
This is a Herend Apponyi Purpur bud vase, also called Chinese Bouquet Raspberry, made around 1970. It stands 6 inches (15 cm) tall with a rounded 3 inch (7.5 cm) body and a slim neck, ideal for a single stem. The crisp white porcelain sets off the hand-painted raspberry flowers, and the rim and foot carry neat touches of gold. It’s in near mint condition—glossy glaze, vivid color, no chips or cracks—so it looks almost fresh from the kiln. At just over fifty years old, it’s solid mid-century vintage and a charming, display-ready accent.

Herend is the renowned Hungarian porcelain maker founded in 1826, famous for painting every piece by hand. The Apponyi pattern is a simplified version of the older Chinese Bouquet design; Count Albert Apponyi asked for the cleaner look in the early 1900s, and it stuck. Purpur, or raspberry, is one of the classic colorways collectors chase because it pops without feeling loud. Each vase carries artisan brushwork and hand-applied gold accents, so no two are identical. Examples from the late 1960s–1970s with intact gilding and crisp motifs are considered desirable and a bit scarce, especially in near mint shape like this one.

Photos form part of the description. Exact item shown; please review all images carefully.
This is a Herend large trinket box, a three‑footed bonbonniere in the Queen Victoria pattern. Made in 1960, it’s about 66 years old and sits solidly in the true vintage camp. The domed lid is hand‑painted with bold peonies and butterflies, ringed with scalloped gold, and the round body rests on three pale‑green scroll feet. It measures about 4 inches high and 4.5 by 4.5 inches across, a handy size for rings, candies, or small keepsakes. The colors look bright and the gilding crisp, matching its Near Mint condition—exactly what collectors hope to find in mid‑century Herend porcelain.

Herend, the Hungarian porcelain house founded in 1826, is known for fully hand‑painted, kiln‑fired art pieces. The Queen Victoria (often marked VBO) pattern dates to 1851, when Herend exhibited it in London and Queen Victoria ordered a service; its butterflies and flowers draw on East Asian motifs and are finished with real gold accents. Because each piece is painted by an artist, subtle variations make every box unique. Three‑footed bonbonnieres in this pattern aren’t common on today’s market, and examples from around 1960 in such clean shape are sought after by Herend fans and anyone who likes practical, well‑made vintage decor.

Photos form part of the description. Exact item shown; please review all images carefully.
Shown here is a Herend Cat Figurine, an Art Deco‑style kitty in glossy white porcelain from around 1970. Hand painted facial details give it a calm, grooming look, and the modeling is crisp but soft to the touch. It stands 4.5 inches tall, 2 inches wide, and 4 inches long. Condition is Near Mint, with bright glaze, tight ears and paws, and only the lightest shelf rub to the base. At about 56 years old, it’s a true vintage piece, the sort of Herend animal that collectors chase because clean, undamaged examples from this era don’t turn up every day.

Herend is a historic Hungarian porcelain maker founded in 1826, famed for hand work and production. The workshop gained attention in the 19th century and is loved for patterns like Queen Victoria and Rothschild Bird, plus the fishnet decoration on animals. Figurines are cast from hard‑paste porcelain, fired multiple times, then hand painted and gilded, so no two are exactly alike. Pieces from the late 1960s and 1970s usually carry the blue Herend shield backstamp and a painter’s or form number on the base. Because they’re labor intensive and often break in firing, survivors in Near Mint condition are scarce.

This is a Vintage Herend Figurine called Wren on Branch, a hand-painted porcelain bird from around 1960. It stands 4 inches tall, 1.5 inches wide, and 3 inches long, a tidy size for a shelf or windowsill. The wren’s russet back, creamy chest, and glossy green leaves are neatly shaded, and the bird leans forward as if ready to hop. Condition is near mint, with bright glaze and crisp details. At roughly 66 years old, it’s a mid-century piece that brings a quiet, natural touch to a room.

Herend is the renowned Hungarian porcelain manufactory founded in 1826 in the village of Herend near Lake Balaton. The workshop became a supplier to European courts and gained fame after the 1851 Great Exhibition in London. All pieces are handmade from hard-paste porcelain, kiln-fired several times, and then hand-painted; most carry the Herend shield backstamp, form number, and often the painter’s initials. Bird figures were made in small batches, with some painted in the famous fishnet style and others, like this wren, finished in natural colors. A 1960 example is true vintage and getting scarce, especially in near mint condition. Collectors often pair these figurines with the Queen Victoria and Rothschild Bird tableware patterns, and they hold their color and shine beautifully over decades.

This is a Herend Queen Victoria Baroque Vase from around 1960, and it looks lovely in Near Mint condition. The bright butterfly on the front is fully hand painted, and the scalloped rim and leafy scroll “handles” are traced in rich gold with a soft green wash. At just 4.5 inches tall, 4 inches wide, and 2 inches deep, it’s a small display piece with a lot of presence—perfect for a single stem or as a cabinet accent. For something about 65 years old, the gilding and colors are remarkably fresh, which makes this little vase feel special and very collectible.

Herend is the famed Hungarian porcelain maker founded in 1826, known for hand-painting every detail and finishing accents in 24K gold. The Queen Victoria pattern debuted in 1851 at London’s Great Exhibition, where Queen Victoria ordered a service; the design—often called VBO—features butterflies and flowers inspired by Far Eastern art. Pieces are typically fired multiple times for depth of color and carry the Herend shield mark and a painter’s mark on the base. Baroque-form vases like this, with ornate rococo leaves and openwork, were produced in smaller numbers than tableware, so 1960 examples are harder to find. Its age, careful hand work, and petite, decorative shape make it a charming vintage piece that collectors and everyday decorators both appreciate.

What you’re looking at here is a charming little Lippelsdorf Wagner & Apel Fawn Porcelain Statuette, a delightful piece of German art porcelain. This figurine stands at about 4.5 inches tall, with a bright and playful fawn caught mid-leap over a swirl, all perched on a vibrant orange base. Even today, it’s in near mint condition, which is pretty impressive considering its age—these types of figurines were mostly produced in the early-to-mid 20th century, making this statuette anywhere from 60 to 90 years old. The porcelain is smooth and glossy, with a few delicate touches of gold paint that hint at its fine craftsmanship. Pieces like this were often displayed in curio cabinets or on shelves in living rooms, treasured for their whimsy and everyday beauty.

Wagner & Apel (Lippelsdorf), the brand behind this little fawn, is known in collector circles for their high-quality porcelain figurines. The company has been around since 1877 and is based in the Thuringian region of Germany—an area famed for its porcelain makers. These figurines were often hand-painted and frequently featured animals or everyday life scenes, capturing a warm, nostalgic feeling. Because each figure was crafted with care and some were only made in small numbers, they can be quite rare today, especially in nearly perfect condition like this one. For folks who love vintage decor or collect porcelain art, finding a Wagner & Apel piece on the market, especially one that’s been so well cared for, is a little stroke of luck.