Photos form part of the description. Exact item shown; please review all images carefully.
This is a Herend Hungary porcelain vase in the Chinese Bouquet, also known as Apponyi, in the raspberry pink colorway. Made in 1960, it has a sleek, gently tapering silhouette with a small foot and a neat, upright stance. The glaze is bright and glossy, and the hand-painted flowers pop in deep pink with tiny touches of gold. A gilt rim and a fine gold line around the base add a quiet bit of sparkle. It’s in near mint shape—clean, crisp decoration with no chips, cracks, or stains and only the lightest signs of handling. Lovely as a stand‑alone accent or filled with fresh stems.

Herend has been crafting porcelain in Hungary since 1826, and every piece is still hand painted. The Chinese Bouquet pattern grew out of 19th‑century European fascination with Asian designs; Count Albert Apponyi asked Herend to simplify its Indian Basket motif, and the result became a classic. Raspberry is one of several colorways, alongside green and blue, and the gold detailing is applied and fired by hand. Pieces are typically artist‑signed and carry the Herend shield mark. Because production is careful and slow, earlier examples like this remain highly collectible and easy to mix with other Herend tableware and decor.

Photos form part of the description. Exact item shown; please review all images carefully.
This is a Vintage Egyptian Queen Nefertiti Bust Sculpture in smooth black stone, made around 1980 and kept in near mint condition. The carving shows the tall crown with the uraeus, crisp facial lines, and a patterned collar, all with a deep dark finish. It stands 5.5 inches high (13.75 cm), about 2 inches wide (5 cm), and 35 inches long (87.5 cm). At roughly 46 years old, it has that vintage presence without damage; edges are sharp, surfaces show only minor shelf rubs, and it sits flat and sturdy for easy display.

Pieces like this came from the late‑70s and 1980s Egyptian Revival décor wave, often sold by museum shops and import houses as tasteful replicas of the famous Amarna bust. Most were cast in reconstituted or black stone for weight and a soft, matte glow. Often unbranded, they were produced for décor retailers rather than a single maker. While not ultra‑rare, clean survivors with no chips, repairs, or sun fade are getting harder to find, so near mint is a plus. Collectors appreciate the calm expression and strong silhouette. Care is simple: dust with a soft cloth, skip harsh cleaners, and avoid sun exposure to keep the finish looking rich.