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This vintage Herend PBR trumpet vase is a sweet little showpiece from 1960. The porcelain is bright white with a flared mouth and tidy pedestal foot, trimmed with fine gold lines that catch the light. On the front, a hand‑painted bouquet centers on a lush pink rose, surrounded by tiny wildflowers in orange, purple, blue, and green. The colors feel cheerful without being loud, and the glaze has that smooth, glassy finish Herend is known for. It’s the kind of vase that works just as well on a nightstand with a few garden stems as it does empty on a shelf. Expect the gentle character that comes with age, especially around the gold, but overall it presents beautifully.

Herend is the celebrated porcelain maker from Hungary, founded in 1826 and long favored by European courts. Every piece is formed and painted by hand, then fired multiple times for that crisp white body and durable surface. PBR stands for Petit Bouquet de Rose, a classic Herend floral pattern featuring a rosy focal bloom with scattered blossoms and leaves. The gold accents are traditionally 24k and applied by brush. Most examples carry the Herend shield backstamp and a pattern code from the painter. Collectors love how PBR mixes easily with other Herend designs like Victoria or Rothschild Bird while still feeling fresh and friendly.

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This is a Czechia Crystal Bohemia cut floral pattern vase in rich ruby red, made in 1970. A deep cranberry overlay is wheel‑cut to reveal clear leaves, blossoms, and a butterfly that sparkle in the light. Thick walls and a weighted base give it the confident heft of true Bohemian crystal. Polished cuts are crisp; the surface shows only gentle, well‑kept signs of age. A mid‑century vintage accent that adds bold color and charm anywhere.

Bohemia crystal from Czechia has been prized for centuries for its clarity, resonance, and precise hand cutting, with workshops clustered around Nový Bor and Karlovy Vary. Ruby red like this is created by casing clear crystal with a gold‑tinted layer, then cutting back the red to form the pattern—a labor‑intensive technique collectors love. In the 1970s, many pieces were exported under the Bohemia Glass label during the Cold War, and hand‑cut ruby examples are scarcer than clear ones today. Value depends on color depth, symmetry, sharpness of cuts, and any surviving label. Hand wash only and keep out of strong sun to protect the color. Pieces from this era feel solid, ring brightly, and show excellent craftsmanship by cutters.

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This is an Antique Argentor silver-plated urn or cache pot from around 1930, standing 7 inches tall (17.5 cm) and about 9 inches wide by 6 inches long (22.5 x 15 cm). The rounded body is topped with a pierced gallery and a crisp foliate band, and the twin handles curl into floral rosettes linked by garlands—pure Art Nouveau elegance that lingered into the early 1930s. It’s in Near Mint condition for its age, with just light tarnish and the gentle patina you want to see after roughly 95–96 years. Sized nicely for a small plant or dried arrangement, it also works as a stand-alone decorative centerpiece.

Argentor-Werke of Vienna was a well-regarded maker of silver-plate and fine metalware from the late 19th into the mid-20th century, celebrated for its Jugendstil (Art Nouveau) styling and quality electroplating. The company produced vases, bowls, jardinieres, and urns with pierced rims, leaf friezes, and flowing organic handles much like this example. Their pieces typically carry an ARGENTOR or ARGENTOR-WERKE mark and often a model number underneath. Items from the 1920s–1930s are especially appealing to collectors because they bridge Art Nouveau’s curves and early Deco geometry. Argentor shows up in the market, but near-mint, fully intact pieces of this size and design are getting harder to find, making this nearly century-old urn a genuinely vintage and increasingly scarce find.