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This retro porcelain figurine shows a cool, mod-era female guitarist mid-strum, captured in a sleek, stylized pose. Her long hair, tailored jacket and flared trousers lean into that late‑60s/early‑70s vibe, while the soft mint and blush colors give the piece an easy, pastel pop. The glossy glaze is bright and even, and the details—hands on the fretboard, the smooth guitar body, sharp lapels—are crisp. It’s a Hollohaza piece from Hungary, made in 1970, and it’s in near mint shape, the kind you display right away without fuss. It brings a fun, musical energy to a shelf, credenza, or turntable corner.

Hollohaza is one of Hungary’s oldest porcelain makers, with roots back to 1777 in the village that shares its name. The factory is known for hard‑paste porcelain fired hot for a bright ring and durable, glassy surface. In the 1960s and 70s they embraced modern lines and soft colors, which makes pieces like this guitarist feel stylish yet friendly. Many were finished and hand painted, then stamped with the Hollohaza backmark and country. Collectors like lively subjects—musicians, dancers, folk figures—and approachable prices. If you enjoy mid‑century décor, this line fits in easily and beautifully among vinyl, teak, and Scandinavian accents.

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This is a Girl With Braids figurine from Bodrogkeresztur porcelain, an Art Deco–inspired kneeling nude from around 1960. It stands 5.5 inches tall, 2 inches wide, and 3.5 inches long, finished in a glossy white glaze that highlights the clean, curved lines. The pose is quiet and modest, hands lifted to the chest, with softly modeled features typical of mid‑century design. Condition is near mint: bright glaze, sharp edges, no chips or cracks, only minimal shelf wear. At roughly 65 years old, it’s a true vintage piece that stays small enough for a bookcase, vanity tray, or bedside display.

Bodrogkeresztur is a Hungarian ceramics tradition from the Tokaj region, where small workshops in the 1950s–60s turned out short‑run figurines with modernist, late‑Art‑Deco lines. White and cream glazes were favored so the sculpting could speak for itself, and subjects often included dancers, bathers, and kneeling women. Output was modest compared with big factories like Zsolnay or Hollóháza, so pieces like this can be scarce today. Look for an impressed or stamped place name and occasional model numbers; a bit of glaze pooling under the base is normal. Collectors prize the silhouettes and how they style with Scandinavian or Bauhaus‑leaning decor.