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This hand-painted Herend songbird is a lovely little porcelain from 1970, kept in near mint shape. The sculpt captures a perky bird resting on a pale stump, with a warm apricot breast, soft yellow throat, and finely shaded charcoal wings. The tiny claws, blue-tinted beak, and glossy glaze show careful studio work, and there’s no visible damage, just the light shelf wear you’d expect from a gently displayed piece. Colors are fresh, the modeling is crisp, and it sits sturdy and balanced. A sweet, naturalistic figurine that reads vintage without feeling fussy, ready for a mantel, curio, or sunny windowsill.

Herend of Hungary has made fine porcelain by hand since 1826 and became famous after royal commissions in the 1800s, including the Queen Victoria pattern. Every figurine is modeled, cast, hand trimmed, painted in layers, and kiln fired several times, so no two birds are exactly alike. The wildlife line is prized for lifelike poses and subtle shading; some pieces also use the brand’s fishnet motif. A 1970 example comes from the period when the factory was state run yet still proudly kept its traditional craftsmanship. Collectors look for clean paintwork, intact glaze, and the blue Herend shield mark underneath.

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This is a Herend Bouquet de Fleurs openwork plate from around 1960, sitting low at 1 inch tall and measuring 9.5 inches across in width, length, and diameter. It’s near mint, with bright glaze, crisp painting, and clean gilding. The center holds a lively hand-painted bouquet—pinks, yellows, blues, and fresh green leaves—while the rim shows a pierced lattice framed by rosy scrolls and flowers. The plate feels delicate but sturdy, the kind of cabinet piece you set on a stand and enjoy every day. At about 66 years old, it’s vintage, and the reticulated rim makes it the scarcer version.

Herend, founded in 1826 in Hungary, is famed for hand-painted porcelain made start‑to‑finish by artisans. Royal households and world fairs helped put the brand on the map, and patterns like Queen Victoria and Rothschild Birds became icons. Bouquet de Fleurs follows that tradition, inspired by 18th‑century European flower studies, and often marked BDF on the base. Openwork pieces are tougher to make: the lattice is hand cut, the colors fired multiple times, and the rim finished with real gold. Fewer were produced and many broke in firing, so surviving 1960 examples in near mint condition are genuinely hard to find.