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This vintage silver-plated figural pedestal tazza dates to about 1980 and shows off a lotus-scalloped rim. Each petal is decorated with floral repousse and textured panels that catch the light, while the center well stays smooth and reflective. The low, wide bowl sits on a sturdy foot, giving it a graceful lift yet feeling solid. Condition is near mint: the details are crisp, the plating is bright, and you’ll see light surface swirls from careful handling. It’s the kind of piece that works anywhere—centered on a dining table with fruit, holding wrapped sweets on a sideboard, or corralling jewelry on a vanity.

About the line: tazza or compote forms have been table staples since the Renaissance and made a comeback in late 20th‑century giftware. Many makers offered silver-plated lotus designs then, usually electroplated over brass or EPNS and finished with hand chasing and repousse. Marks, when present, often appear under the base and may read EPNS, Silver Plate, or a retailer’s name. Practical facts: keep polish gentle and infrequent, avoid the dishwasher and prolonged contact with acidic foods, and store dry to prevent spotting. Collecting tips: seek even plating, sharp petal outlines, and a tight join between bowl and pedestal.

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This is a Herend porcelain vase in the Queen Victoria pattern, made in 1970 and kept in near mint shape. The glossy white body is dressed with hand-painted peonies, leaves and fluttering butterflies, all outlined and shaded in vibrant enamels. A soft pistachio-green paneling wraps the lower body, and real gold highlights trace the panels and trim the mouth with a scalloped band for a quiet bit of sparkle. The classic, gently flared neck and rounded shoulders give it an easy, timeless profile. Colors are bright, the gilding is crisp, and the piece shows only the lightest signs of handling.

Herend, the Hungarian maker founded in 1826, is famed for fully hand-painted, hard-paste porcelain. Queen Victoria is the company’s signature line, introduced at London’s 1851 Great Exhibition, where the young queen ordered a service and lent the pattern its name. The design adapts East-Asian garden scenes—lush flowers and butterflies—into European shapes, then finishes them with 24k gold. Every piece is decorated by a single artist and typically carries a painter’s mark beneath the glaze. Collectors prize the pattern’s cheerful color and meticulous brushwork, and 1970s examples are known for saturated enamels. For care, hand-wash only and keep gilding away from abrasives or microwaves.

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This vintage Herend PBR trumpet vase is a sweet little showpiece from 1960. The porcelain is bright white with a flared mouth and tidy pedestal foot, trimmed with fine gold lines that catch the light. On the front, a hand‑painted bouquet centers on a lush pink rose, surrounded by tiny wildflowers in orange, purple, blue, and green. The colors feel cheerful without being loud, and the glaze has that smooth, glassy finish Herend is known for. It’s the kind of vase that works just as well on a nightstand with a few garden stems as it does empty on a shelf. Expect the gentle character that comes with age, especially around the gold, but overall it presents beautifully.

Herend is the celebrated porcelain maker from Hungary, founded in 1826 and long favored by European courts. Every piece is formed and painted by hand, then fired multiple times for that crisp white body and durable surface. PBR stands for Petit Bouquet de Rose, a classic Herend floral pattern featuring a rosy focal bloom with scattered blossoms and leaves. The gold accents are traditionally 24k and applied by brush. Most examples carry the Herend shield backstamp and a pattern code from the painter. Collectors love how PBR mixes easily with other Herend designs like Victoria or Rothschild Bird while still feeling fresh and friendly.

Photos form part of the description. Exact item shown; please review all images carefully.

Photos form part of the description. Exact item shown; please review all images carefully.
This is a Herend porcelain bonbonniere, a covered trinket box in the Apponyi Raspberry (also called Chinese Bouquet) pattern, made in 1960. The piece is crisp white with a hand‑painted raspberry‑pink floral spray on the lid, a matching border around the rim, and fine gilding. At about 2.5 inches high and 4.5 inches wide/long (6.25 cm x 11.25 cm), it’s a handy size for candies, jewelry, or keepsakes. The lid sits flush and the glaze looks bright, with no obvious wear, chips, or crazing—solid Near Mint condition. At roughly 66 years old, it lands squarely in mid‑century vintage territory and feels nicely preserved for its age.

Herend, founded in 1826 in Hungary, is known for fully hand‑painted hard‑paste porcelain and real gold accents, and each piece is finished by an individual painter. The Apponyi design is a streamlined take on Herend’s Chinese Bouquet motif, popularized in the early 20th century and offered in several colors; Raspberry is among the most eye‑catching. A bonbonniere like this was made for sweets on the table but today works just as well on a vanity or desk. Vintage Herend from the 1950s–60s is increasingly sought after, and this colorway doesn’t surface every day, making it a desirable, true vintage find.