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This is a Zsolnay Eosin porcelain figurine called Longing, an Art Nouveau–style female nude in a shimmering blue glaze. Made around 1970, it stands 9.5 inches tall (23.75 cm) and measures 4.5 by 4.5 inches at the base (11.25 x 11.25 cm). The figure kneels with arms lifted behind the head, all smooth curves and a calm, dreamy pose. The eosin finish catches the light with a soft, watery sheen. Condition is near mint, with no chips or cracks noted. At roughly 56 years old, it’s firmly vintage rather than antique, and examples this clean are not common.

Zsolnay, founded in 1853 in Pécs, Hungary, is celebrated for its eosin glaze, a metallic, iridescent surface perfected in the 1890s. By 1970 the factory was revisiting earlier Art Nouveau themes, so pieces like Longing blend flowing lines with mid‑century production. Collectors watch for strong color and marks like the five‑tower shield to confirm authenticity. Blue eosin is seen less often than green‑gold, which adds appeal. Compared with pre‑World War I masterpieces, 1970 examples are more approachable yet still hand‑finished and well made. In today’s market they’re considered scarce rather than truly rare, with value driven by glaze quality and condition overall.

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This is a charming Herend egg-shaped trinket box in the hand painted Queen Victoria pattern, made around 1940 and kept in near mint condition. The porcelain is bright white and decorated with colorful peonies and leaves, finished with a tidy band of gilded detail around the seam. It’s a small, handy size for rings or keepsakes—about 2 inches tall, 2 inches wide, and 3 inches long (5 x 5 x 7.5 cm). At roughly 86 years old, it’s a true vintage piece, and the clean paintwork and crisp gold trim make it stand out. Pieces from this era aren’t everyday finds, especially with such careful preservation.

Herend is a Hungarian maker founded in 1826, famous for fully hand painted porcelain where each piece is decorated by an individual artist. The Queen Victoria design—often called “Victoria” or “VBO”—debuted at the 1851 Great Exhibition in London, where Queen Victoria purchased a service, giving the pattern its name. Its butterflies and peony blossoms draw on East Asian art, and the gilding is traditionally applied in real gold and then fired. Look for the Herend shield backstamp and painter’s marks on the base to confirm authenticity. Pre-war and wartime examples from the late 1930s to 1940s are particularly desirable, and small forms like egg boxes are produced in lower numbers than tableware, adding a touch of rarity.