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This hand-painted porcelain wren from Herend is a little songbird captured mid-perch. Made in 1970, it shows off a glossy glaze that makes the warm browns, creamy chest, and soft green tones glow, with a flash of coral at the cheek and a bright eye ring. The modeling is crisp—the tiny claws wrap the stump, feathers overlap naturally, and the tail flicks upward like a real wren ready to chatter. It’s in near mint condition, with clean edges, strong color, and a smooth finish that catches the light. A charming, nature-forward piece that sits nicely on a mantel, shelf, or desk.

Herend, founded in 1826 in Hungary, is famed for hard‑paste porcelain shaped and painted entirely by hand. Beyond its famous Queen Victoria and Rothschild Bird tableware, the workshop also makes lifelike animal and bird figures like this one, using multiple firings and overglaze enamels for saturated color and sheen. No two are exactly alike—brushwork and shading vary slightly, which collectors love. Pieces from the late mid‑century era, like this 1970 example, are prized for their craftsmanship and quality during a time of limited production. To keep it happy, dust gently, avoid harsh cleaners, and display away from strong sun.

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This Herend trinket tray, made in 1970 and kept in Near Mint condition, is a charming little catchall. The scalloped white porcelain frames the Apponyi Raspberry pattern: a vivid pink floral spray at center, a matching leafy border, and hand-applied gold edging with tiny rosettes. The glaze is bright and clean, the colors lively, and the gilding crisp with practically no wear. It sits flat and feels refined yet sturdy in the hand. Ideal on a nightstand for rings, on a vanity for earrings, or by the door for keys, it adds an elegant pop of color to daily life.

Herend has made fine porcelain in Hungary since 1826, earning royal and everyday fans for pieces that are fully handmade and hand-painted. The Apponyi pattern, also called Chinese Bouquet, evolved from the older Indian Basket motif and took its name from Count Albert Apponyi, who popularized a simplified floral. Raspberry is one of the most collected colorways, joined by green, blue, and orange. Artisans paint each petal by hand, then add 24k gold and fire the piece multiple times for a deep, durable shine. Genuine examples show the Herend shield mark and a painter’s number, and mix seamlessly across decades.

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This is a Herend porcelain vase in the Queen Victoria pattern, made in 1970 and kept in near mint shape. The glossy white body is dressed with hand-painted peonies, leaves and fluttering butterflies, all outlined and shaded in vibrant enamels. A soft pistachio-green paneling wraps the lower body, and real gold highlights trace the panels and trim the mouth with a scalloped band for a quiet bit of sparkle. The classic, gently flared neck and rounded shoulders give it an easy, timeless profile. Colors are bright, the gilding is crisp, and the piece shows only the lightest signs of handling.

Herend, the Hungarian maker founded in 1826, is famed for fully hand-painted, hard-paste porcelain. Queen Victoria is the company’s signature line, introduced at London’s 1851 Great Exhibition, where the young queen ordered a service and lent the pattern its name. The design adapts East-Asian garden scenes—lush flowers and butterflies—into European shapes, then finishes them with 24k gold. Every piece is decorated by a single artist and typically carries a painter’s mark beneath the glaze. Collectors prize the pattern’s cheerful color and meticulous brushwork, and 1970s examples are known for saturated enamels. For care, hand-wash only and keep gilding away from abrasives or microwaves.

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Shown is a Herend Hungary porcelain vase in the Apponyi Raspberry Chinese Bouquet pattern. The hand‑painted raspberry floral spray sits crisply on bright white glaze, with tiny buds and veining that feel lively yet calm. A subtle basketweave texture moves under the light, and true gold trims the rim and foot for a refined finish. Made in 1980, it looks well cared for, with glossy surface, vivid color, and only light, honest signs of age. Its classic, rounded silhouette makes an easy accent on a mantel or nightstand, pretty with a few stems or simply displayed on its own.

Herend has crafted porcelain by hand since 1826 in Hungary, using hard‑paste bodies, multiple firings, and gold accents. Each piece is brush painted and marked with the blue shield backstamp, so no two are identical. The Chinese Bouquet, also known as Apponyi, was developed for Count Albert Apponyi as a simplified take on the company’s earlier Eastern flower motifs. Raspberry is one of the most collected colors, joined by green, blue, and lilac. Fans appreciate the crisp painting and the raised basketweave ground that catches light. Keep it special: hand wash, avoid abrasives and microwaves, and store to protect the gilding.

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This is a Delft Blue Dutch Kissing Couple figurine made in 1960, hand painted in the classic cobalt-on-white palette. It shows a boy and girl in traditional Dutch dress leaning in for a kiss, with the boy’s cap marked HOLLAND. The glaze is glossy and even, and the details—rosy cheeks, apron folds, wooden shoes—are crisp. It stands 6.5 inches tall and measures about 3.5 inches across in width, length, and diameter, so it displays nicely on a shelf without taking much space. In near mint condition, with bright color and no chips or cracks, it’s now about 66 years old and a charming mid‑century keepsake.

Delft Blue isn’t a single brand but a long-running Dutch pottery tradition from Delft that began in the 1600s, using tin‑glazed earthenware and cobalt oxide to give that deep blue underglaze. By the 1950s and 1960s many Dutch workshops produced these kissing couples as export souvenirs, sometimes marked “Delfts Blauw,” “Holland,” or with a painter’s initials. Hand‑painted pieces show little brush variations and soft shading, which yours has. At 6.5 inches, it’s larger than the common miniatures and salt‑and‑pepper shakers, so examples in this size and near mint shape are moderately scarce and very collectible.

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This piece is a Herend openwork centerpiece in the Apponyi Green, also called Chinese Bouquet. It’s a low, rectangular basket with hand-twisted, lattice sides and a flat, painted panel in the middle showing a green floral spray framed with little gold flower cartouches. The porcelain is bright white and the painting is crisp, which suits its near mint condition. It measures about 1 inch high, 7 inches wide, and 4.5 inches long, so it’s a sweet size for a table accent, a candy or nut tray, or a dresser catchall. Made in 1970, it’s about 56 years old—vintage, and a nice find in this shape.

Herend is the famed Hungarian porcelain house founded in 1826, celebrated for fully hand-painted pieces collected by European royals and design lovers alike. The Apponyi pattern began when Count Albert Apponyi asked for a simplified take on Herend’s older “Indian Basket” motif; the result is the Chinese Bouquet design you see here, often edged with 24k gold and produced in several colors, with green being a classic. Openwork baskets are especially labor-intensive: artisans roll and join the strands by hand before firing and painting. Authentic examples usually carry the Herend shield mark and a painter’s number. Vintage 1970 openwork pieces in near mint condition aren’t common, which adds to its appeal.

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This is a Herend Apponyi Purpur bud vase, also called Chinese Bouquet Raspberry, made around 1970. It stands 6 inches (15 cm) tall with a rounded 3 inch (7.5 cm) body and a slim neck, ideal for a single stem. The crisp white porcelain sets off the hand-painted raspberry flowers, and the rim and foot carry neat touches of gold. It’s in near mint condition—glossy glaze, vivid color, no chips or cracks—so it looks almost fresh from the kiln. At just over fifty years old, it’s solid mid-century vintage and a charming, display-ready accent.

Herend is the renowned Hungarian porcelain maker founded in 1826, famous for painting every piece by hand. The Apponyi pattern is a simplified version of the older Chinese Bouquet design; Count Albert Apponyi asked for the cleaner look in the early 1900s, and it stuck. Purpur, or raspberry, is one of the classic colorways collectors chase because it pops without feeling loud. Each vase carries artisan brushwork and hand-applied gold accents, so no two are identical. Examples from the late 1960s–1970s with intact gilding and crisp motifs are considered desirable and a bit scarce, especially in near mint shape like this one.

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This little Hollohaza calf is a hand painted porcelain figurine in near mint shape. It stands just 1 inch tall, 1 inch wide, and 1.5 inches long, finished in a glossy white glaze with soft gray patches. The pose is lively and curious, with gentle blush on the ears and hooves. For its age the surface is clean and bright, with no chips, cracks, or crazing—only the faint shelf rub you’d expect from careful display. Likely made in the late 1960s or 1970s, it’s roughly 50 years old, a pocket‑size piece that fits in your palm.

Holloháza Porcelain Manufactory in Hungary has produced hard‑paste porcelain since 1777, and its mid‑century animal minis are well loved. These were made in small batches, hand glazed and detailed, so no two are exactly alike. Most carry the Hollóháza Hungary 1777 backstamp with the raven logo, a handy authenticity check. The line blends folk charm with clean, modern shapes, which suits farmhouse, cottage, and Scandinavian rooms alike. Tiny examples in this tidy condition aren’t common, especially at just 1 inch by 1 inch by 1.5 inches, so collectors see them as a sweet, affordable slice of Central European design.

This charming porcelain figurine captures the grace of a ballerina, styled as an elegant lady delicately holding a fan. Crafted around 1970, this Wallendorf Ballerina Porcelain Figurine stands about 6 inches tall, 6 inches wide, and 4 inches long. With its gentle pastel colors and golden slippers, the figurine radiates the refined beauty and attention to detail you’d expect from fine German craftsmanship. The soft, flowing dress and the serene, almost shy expression on the figurine’s face really make it stand out as a piece of art from a different era. Even after all these years, it’s in near-mint condition, which is pretty rare for something over 50 years old—just imagine the quiet elegance it could bring to a bookshelf, curio cabinet, or dresser.

Wallendorf is a well-known German porcelain manufacturer that dates back hundreds of years, making collectibles that are recognized for elegant artistry and top-notch workmanship. They’re especially beloved for their figurines depicting classic European scenes—ladies, ballet dancers, children, even animals—each one carefully hand-painted. In the post-war years and into the 1970s, Wallendorf continued making collectible figurines like this one, with their signature delicate faces, smooth lines, and fine detailing. For collectors and everyday folks who love unique finds, owning a Wallendorf piece isn’t just about having a pretty figure; it’s about holding on to a bit of European history and tradition. Pieces like this ballerina aren’t made in the same way anymore, so finding one in such great condition from 1970 is a rare treat.

This charming artifact is a vintage Drasche Seagull Figurine, a hand painted porcelain bird statue from Hungary that dates back to around 1980. The figurine stands about 6 inches tall, with a 2-inch width and a 3-inch length, making it a perfect shelf or mantelpiece addition. Its delicate coloring and fine details, especially on the wings and the gentle curve of the base, give the seagull a sense of movement and grace, almost as if it’s just about to take flight above the waves. Given its age—over 40 years old now—it’s quite the nostalgic piece that would remind many of coastal scenes and summer days. The condition is near mint, which is pretty rare for collectibles of this vintage, as it shows hardly any signs of wear.

Drasche, the maker of this figurine, was a well-known Hungarian porcelain manufacturer with roots stretching back into the nineteenth century. Their figurines, especially from the mid-to-late twentieth century, are highly collectible thanks to their attention to detail and quality, hand-painted finishes. Each piece has its own little quirks since they’re all hand made, making no two exactly alike. Drasche items were popular not only in Hungary but also found their way into collections all over Europe, sometimes even further. By the 1980s, their porcelain animals had developed a bit of a cult following, and today collectors scour antique shops and online auctions looking for these gems, especially in such pristine condition. It’s a reminder of old-world craftsmanship, and finding one so well-preserved is definitely a special treat for anyone interested in vintage décor, European pottery, or simply eye-catching, artful design.